Medine Ft Massoud – Papeti. Gharnati is a version of the Andalusian musical style, thought to have originated in Granada, Spain, and developed after in Algeria. Kharbousha performed by the Ouled Bouazzaoui. Khalid – Vertigo. Zako – Fast Life.
|Système d’exploitation:||Windows, Mac, Android, iOS|
|Licence:||Usage Personnel Seulement|
Achaari and the generous support of MarocTelecom, however, the abderraihm can only be considered as an initiation to the Moroccan musical panorama rather than a document of real archival value. Although always enjoyable, the recordings of Abdelkader Amlil CD 7 and Ahmed Boussou CD 8 present the gnawa repertoire as a compilation of songs rather than as a part of a lila or of a dance suite. To this ensemble the Hmadcha add the harrâzî large single-skin clay goblet-drum held on one shoulderwhile the Jilala abderrrahim their ceremonies with the bendîr and the qasba a long end-blown flute Schuyler Bad Flow – Hayda La. Ali Ssamid – Khab Danni. Mohamed Boudrous CD 2 and Ban Mounes CD 3 respectively represent the old and the new music traditions of the Rif, a mountain region in the north of Morocco that is largely populated by the Tarifit-speaking Berbers.
The repertoire of abderrahkm is organized in suite form, a series of vocal and instrumental pieces that follow one another according to a specific abdeerrahim nûba.
This approach has unfortunately not always resulted in high-quality sound, but it has inevitably affected the musical significance of zbderrahim anthology. Their repertoire is mostly based on a genre of sung poetry whose subject ranges from social and political commentaries to romantic love izli.
Lacrim – Jon Snow. The performers, related to the bardic abdrrrahim of the imdyazn, accompany their singing with the lotar a plucked, four-stringed lute with a pear-shaped resonator covered with goat-skin. Traditionally utilized to entertain the archers during their hunting trips, the music of the aâbidat rma is characteristic of Central Morocco Khouribga, Oued Zem and Ourdigha where it is performed during life-cycle ceremonies.
Sebastian Yatra Ft Beret – Vuelve. Chants du Rif Mohamed Boudrous [ Kacem Marseille – Nebghik Nebghik.
Despite the good intentions of Mr. Aydoun and his collaborators could fail to affect the flow of the music and, in turn, the outcome of the project 1.
Abderrahim Bana Da9a mrrakch Mp3 – ecouter télécharger jdid music arabe mp3
Aissaoua Mohamed Bouyahaoui [ Aâbidat Rma CD 1. In short, a newcomer to Moroccan music may not get a clear picture of the many styles of music represented here, their connections to one another, or, still less, hana many musical and social issues that they entail.
The Moroccan government has now issued more than CDs, but there remain well-established traditions that the Bsna of Culture has yet to anthologize, from banw ahwash of the High Atlas to the innovative revivalist music of groups like Nass el Ghiwane. These five recordings present the songs and dances that accompany the rituals of different Nana mystical religious associations tariqât found throughout Morocco.
Abderrahim Bana Tkitikat Marrakech تقيتيقات مراكش مع المعلم بانا Mp3 Télécharger
The songs, which usually accompany an all-male dance enacting the preparation abderrahi, war with abderrahiim or sticks, have a rather austere character Aydoun The Gnawa —whose ancestors came from Sub-Saharan Africa to Morocco as merchants, mercenaries, or, principally, slaves—traditionally perform in all-night ceremonies lila in order to secure peace of mind and heal their followers.
Lbenj – Animal. Chaba Nina Dubai – Ana 3liya Da3wa. Zako – Fast Life. Madd – Black. Rkia Azrou – Ata Mayrikh. And, indeed, the collection does illustrate the extraordinary richness and diversity of Moroccan traditional music. RimK – Cactus. Krtas Nssa – Rest In Peace.
Abderrahjm bnaa but fundamental banna lies in the fact that although the genres presented in the anthology are, with few exceptions, living musical traditions, these recordings were made neither in the field nor during live stage performances. From Fieldwork to World Music. The ensemble Ahl Srif CD 5from the area surrounding the well-known village of Jajouka, performs a music that is generally heard during ritual celebrations connected to mystical religious associations, abderdahim at processions celebrating weddings and circumcisions.
Since, however, the supervision included making decisions concerning the choice abderrahom the repertoire, the manner of performance, and even the texts to be sung, it is difficult to imagine how the painstaking efforts of Mr.
Although the Abrerrahim belief system is heavily influenced by Sub-Saharan religious practice, the musicians and devotees are all practicing Muslims and their songs contain many invocations to recognized Muslim saints.
In fact, aside from the material taken from the archives of the Radio-Television Marocaine—the patriotic repertoire, the songs of Mohammed Boudrous and those of the late Zahra el-Fassia—all of the recordings were produced at two studios in Rabat. Naima Sisse Slawia – Chofni Wfhamni. Banx, his book, Musiques du Marocwould make a good companion to this anthology, filling in some abderrahim the information missing from the notes.
Tflow – 7egara. If listeners are lucky, there will be more collections to come.